5.4 Adapter, est-ce trahir ?
- 1. Art baroque
- 2. Objectifs et compétences
- 3. La musique baroque
- 4. Benjamin Britten
- 5. Prélude
- 6. Tommaso Albinoni
- 7. Jean Sébastien Bach
- 8. Henry Purcell
- 9. Jean Philippe Rameau
- 10. Pachelbel
- 11. Antonio Vivaldi
- 12. Joseph Haydn
- 13. G.F.Haendel
- 14. Les influences baroques dans la chansons
- 15. Forme Rondo
- 16. Venise
- 17. Les castrats
- 18. Musique religieuse
- 19. Haut contre
- 20. Concerts
- 21. Arie
- 22. Jardin interactif
- 23. Ennio Morricone et la musique baroque
- 24. Ton slam
- 25. Allessandro Marcello
- 26. Frises chronologiques
- 27. Bobby McFerrin
- 28. Les intervalles
- 29. La tonalité
- 30. Samuel Barber
- 31. Serge Gainsburg
- 32. Versailles
- 33. Les instruments
- 34. Franz Schubert
- 35. J.P. Rameau
- 36. Ottorino Respighi
- 37. L’architecture musicale
- 38. Chopin Jimmy Page
- 39. Jethro Tull
- 40. Basse continue
- 41. L’Héritage de la Musique Baroque
- 42. Domenico Scarlatti
- 43. Duel Haendel Scarlatti
- 44. Coup de coeur
- 45. Mashup
- 46. Curiosité
- 47. Capsules vidéo
- 48. Bach jazz
- 49. Remix
- 50. Jardin interactif
- 51. La mauvaise réputation
- 52. My Taratata
- 53. David Guetta
- 54. Stabat Mater
- 55. Chanson des Solvieg
- 56. Jo Dassin
- 57. Comme d'habitude - My way
- 58. We Are The Champions
- 59. Baroque et jazz : si éloignés ?
- 60. Photograph
- 61. 2 Cellos
- 62. Jean Baptiste Lully
- 63. Master Of Puppets
- 64. La flûte à bec
- 65. Le clavecin
- 66. L'orgue
- 67. Portrait musical
- 68. Quand la variété copie la musique classique
- 69. Jeux
- 70. La folia
- 71. Covers
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