It doesn't look all that different from a traditional musical score... until you realise there are no barlines and there's no stave. Still, the music gives an idea about rhythm and pitch, even with some of the traditional features missing.
If you know just one piece by avant-garde composer and all-around oracle of indeterminacy John Cage, you know 1952's 4'33', which consists, for that length of time, of no deliberately played sounds at all.
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